From the feed of Studio Mut, May 21, 2020.
Inside Lottozero reviewed by Richard Baird, one of the most thoughtful voices in graphic design criticism @bpandopinion — Thank you so much for enriching the discussion about graphic design, Richard. LINK IN BIO — «The printed sides of the book become a critical surface, elevated beyond expectation, furthered by the positioning the book’s title across the fore edge, head and tail. It reconfigures the hierarchy. Placing eye-catching graphic expression, that of a textile pattern, as the most prominent gesture. At the same time, through edge printing, sets up the device of the book (multiple orientations), and makes a proposal (things to be viewed from all sides, and more conceptually, inside/ideas and out/aesthetic).» Richard Baird, BP&O @bpandopinion — #graphicdesign #critisism #bpando #lottozero #insidelottozero #book #studiomut — Thank you Arianna and Tessa Moroder, the founders of @lottozero Without great clients like you, we could not work on projects like this.
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Inside Lottozero reviewed by Richard Baird, one of the most thoughtful voices in graphic design criticism @bpandopinion — Thank you so much for enriching the discussion about graphic design, Richard. LINK IN BIO — «The printed sides of the book become a critical surface, elevated beyond expectation, furthered by the positioning the book’s title across the fore edge, head and tail. It reconfigures the hierarchy. Placing eye-catching graphic expression, that of a textile pattern, as the most prominent gesture. At the same time, through edge printing, sets up the device of the book (multiple orientations), and makes a proposal (things to be viewed from all sides, and more conceptually, inside/ideas and out/aesthetic).» Richard Baird, BP&O @bpandopinion — #graphicdesign #critisism #bpando #lottozero #insidelottozero #book #studiomut — Thank you Arianna and Tessa Moroder, the founders of @lottozero Without great clients like you, we could not work on projects like this.
Inside Lottozero reviewed by Richard Baird, one of the most thoughtful voices in graphic design criticism @bpandopinion — Thank you so much for enriching the discussion about graphic design, Richard. LINK IN BIO — «The printed sides of the book become a critical surface, elevated beyond expectation, furthered by the positioning the book’s title across the fore edge, head and tail. It reconfigures the hierarchy. Placing eye-catching graphic expression, that of a textile pattern, as the most prominent gesture. At the same time, through edge printing, sets up the device of the book (multiple orientations), and makes a proposal (things to be viewed from all sides, and more conceptually, inside/ideas and out/aesthetic).» Richard Baird, BP&O @bpandopinion — #graphicdesign #critisism #bpando #lottozero #insidelottozero #book #studiomut — Thank you Arianna and Tessa Moroder, the founders of @lottozero Without great clients like you, we could not work on projects like this.
Inside Lottozero reviewed by Richard Baird, one of the most thoughtful voices in graphic design criticism @bpandopinion — Thank you so much for enriching the discussion about graphic design, Richard. LINK IN BIO — «The printed sides of the book become a critical surface, elevated beyond expectation, furthered by the positioning the book’s title across the fore edge, head and tail. It reconfigures the hierarchy. Placing eye-catching graphic expression, that of a textile pattern, as the most prominent gesture. At the same time, through edge printing, sets up the device of the book (multiple orientations), and makes a proposal (things to be viewed from all sides, and more conceptually, inside/ideas and out/aesthetic).» Richard Baird, BP&O @bpandopinion — #graphicdesign #critisism #bpando #lottozero #insidelottozero #book #studiomut — Thank you Arianna and Tessa Moroder, the founders of @lottozero Without great clients like you, we could not work on projects like this.
Inside Lottozero reviewed by Richard Baird, one of the most thoughtful voices in graphic design criticism @bpandopinion — Thank you so much for enriching the discussion about graphic design, Richard. LINK IN BIO — «The printed sides of the book become a critical surface, elevated beyond expectation, furthered by the positioning the book’s title across the fore edge, head and tail. It reconfigures the hierarchy. Placing eye-catching graphic expression, that of a textile pattern, as the most prominent gesture. At the same time, through edge printing, sets up the device of the book (multiple orientations), and makes a proposal (things to be viewed from all sides, and more conceptually, inside/ideas and out/aesthetic).» Richard Baird, BP&O @bpandopinion — #graphicdesign #critisism #bpando #lottozero #insidelottozero #book #studiomut — Thank you Arianna and Tessa Moroder, the founders of @lottozero Without great clients like you, we could not work on projects like this.
Inside Lottozero reviewed by Richard Baird, one of the most thoughtful voices in graphic design criticism @bpandopinion — Thank you so much for enriching the discussion about graphic design, Richard. LINK IN BIO — «The printed sides of the book become a critical surface, elevated beyond expectation, furthered by the positioning the book’s title across the fore edge, head and tail. It reconfigures the hierarchy. Placing eye-catching graphic expression, that of a textile pattern, as the most prominent gesture. At the same time, through edge printing, sets up the device of the book (multiple orientations), and makes a proposal (things to be viewed from all sides, and more conceptually, inside/ideas and out/aesthetic).» Richard Baird, BP&O @bpandopinion — #graphicdesign #critisism #bpando #lottozero #insidelottozero #book #studiomut — Thank you Arianna and Tessa Moroder, the founders of @lottozero Without great clients like you, we could not work on projects like this.
Inside Lottozero reviewed by Richard Baird, one of the most thoughtful voices in graphic design criticism @bpandopinion — Thank you so much for enriching the discussion about graphic design, Richard. LINK IN BIO — «The printed sides of the book become a critical surface, elevated beyond expectation, furthered by the positioning the book’s title across the fore edge, head and tail. It reconfigures the hierarchy. Placing eye-catching graphic expression, that of a textile pattern, as the most prominent gesture. At the same time, through edge printing, sets up the device of the book (multiple orientations), and makes a proposal (things to be viewed from all sides, and more conceptually, inside/ideas and out/aesthetic).» Richard Baird, BP&O @bpandopinion — #graphicdesign #critisism #bpando #lottozero #insidelottozero #book #studiomut — Thank you Arianna and Tessa Moroder, the founders of @lottozero Without great clients like you, we could not work on projects like this.
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